This page is Every label I changed, for you to grade. It is one of the projects Brandon built and put online. The grown-up details are below, tap Grown-up mode to read them the normal way.
BELIEVEYOUME, session 2026-06-10, label changelog
Every label I changed, for you to grade
54 label changes across the source, grouped by song, diffed from the pre-patch backup. Grade each line against the audio or your fraud JSONL. The dense-cluster cards (Broken Satellites outro E♭6/9) still hold judgment-call labels I did not force.
red = old blue = new
1 Asleep In The Trunk 5
L92mino … ever … its root … = an F-Aeolian … ower-of-three→an … cente … a third … , the third left o … en for the voice to color
L226dominant→pedal
L2841 … m … 7th→5 … 5(add ♭ … )
L2931 … m … 7th→5 … 5(add ♭ … )
L303M … , F major Mixolydian or F minor moves … nfirming F major, by direct vocal declaration, after 35 bars of the band refusing to co→♭ … root motion, third withheld … the raised third flashing over the F-minor field, after 35 bars of the band refusing to
2 The Alligator 15
L418/→(the vocal C adds the … )
L432/9→
L445</b> (root + M3 + 5 + 6). The voice steps up to <b>C4 = the 9 of B♭</b> … - … or coloration over the B♭ bass, a brief polychord effect (lead-supplied G-major colour against rgtr-supplied B♭6/9). The hook rocks between … of G (with the lead's … la→B♭6</b> (root + M3 + 5 + 6). The voice steps up to <b>C4 = the 9 of B♭</b> (adding the 9 that makes the full stack a … ) … 7 color tones (B + F♯ = … and … of G) over the B♭ bass, a brief pol … chord effect (lead-supplied G color against rgtr-supplied B♭6). The hook rocks between the M3 of G (with the lead's M7 lay
L578I (G no-3, … 5 … 9 … d name … I … I … I→(G9sus4, no 3rd … 9 … 5 + ♭7 … open … open … open
L595/G→
L636trans … ers the third from the voice and lead into the rhythm guitar … rootless dyad→lets the rhythm guitar state … ull triads with their thirds intact … third-withholding open voicing
L656rootless dyad … B … dyad o … had E or … ♮ alone … in … oreign key … d colors, joining the foreign C an … bIII-of-the-bII … rootless d … ads come bac … and the voice resumes its job of supp … ing thirds … The break was the only place the band committed.→third-withholding open voicing … G+A … oicing ov … put … (the 3rd) in the guitar … with … ull triad … he t … outer colors, joining the diatonic IV (C) and the … ♭V … open voicings come back and the voice resumes its job of suppl … ing thirds. The brea … was the on … place the band committed
L690a … 3 … 4 dyad over … rootless dyad→the vocal's … over the rhythm guitar's third-less G … A+ … voicing and … third-less voicing
L723not the "rootless d … ad" the earlier card clai … e→a full stack: onl … the rhyth … guitar alone withholds the 3r
L744→V
3 The Mutiny 7
L830→a … major-third dyad (B♭+G♭, no … th)
L845/B♭ … i … v … 1→m … o … 5 … , root position
L858readable as Gm or B♭/G in first inversion … /B♭→a Gm no-5 dyad in root position since G is the bass
L893→(the MIDI reads the last two as <b>B♭6/9</b> and <b>B♭sus(add9)</b>: C+D+G over B♭ holds the M3 D, not a sus4, and C+E♭ has no ♯5, so neither is the chart's named quality)
L9027→9
L920the same flat-five dissonance the verse … ed … flat-5→a co … in of the verse's flicker … ♭6, the G♭ rub, not a tritone
L946. The chorus moved to … with the same bare-fifth treatment→, then flickered to a … major-third dyad (B♭+G♭, no … th)
4 So Far So 6
L1076first inversion … leading tone … over the V root→second inversion (i⁶₄) … 2nd of D … ₄ with the 5th (E) in the bass
L1080- … ♯→
L1088-♯→add
L1097first … (or ii i … major)→second … , the minor chord o … 's 5th degree … ₄
L11082→1
L11131 (low-C string fret 2) + D→
6 Endless Summer 5
L1392♭5→4 … over A♭
L1539/B♭ … I … -B♭ … o … B♭3→(no5) … root pos … i … bass