Broken Satellites, per-stamp composite

Shiner, BELIEVEYOUME (2025). Implied composite chord at every chord-change event, computed from the audio-stem-derived MIDI on the same recording timeline.

Method. Source MIDIs (rhythm-guitar chords, bass, vocals) extracted from the same audio stems via basic-pitch / YIN, all on the recording's 0..362s timeline (the documented cross-clock blocker only applies to GP-tab MIDI). Source files: BandBooks/BELIEVEYOUME/charts/_midi_analysis/audio_pulls_proper/09 - Broken Satellites-Rhythm Guitars_basic_pitch.mid, 09 - Broken Satellites-bass_basic_pitch.mid, 09 - Broken Satellites-vocals_basic_pitch.mid (under ~/Desktop/IF YOU CAN'T FIND SOMETHING ITS HERE/). Walked the rhythm-chords MIDI to detect chord-change events (131 raw, deduped to 124 distinct positions), then looked up the vocal pitch sounding at each change. Composite = band chord + vocal note. The interval column shows where the vocal sits relative to the band's chord root.
TimeSectionBand chordVocalCompositeNotes
Intro
0.2s BbF (5)Bb
1.6s Bb-Bb
8.7s DBb (b6)D
11.0s DD (root)Dvocal doubles the root
12.8s FBb (4)F
16.9s Bb-Bb
Verse 1
17.5s Bb/Eb-Bb/Eb
22.6s Gm/Eb-Gm/Eb
23.3s Bb/Eb-Bb/Eb
24.9s Bbmaj7/CEb (4)Bbmaj7/C
26.5s DC (b7)F/D
29.3s FC (5)F
30.7s Am7/FD (4)Am7/F
33.6s Eb-Eb
35.4s Gm/EbEb (b6)Gm/Eb
37.2s Bb/Eb-Bb/Eb
41.6s Bbmaj7Eb (4)Bbmaj7
45.3s D-D
45.9s FC (5)F
47.4s Am7/FD (4)Am7/F
49.7s Am7/GC (b3)Am7/Gvocal b3 = minor color over rhythm
53.1s Bb/Eb-Bb/Eb
58.2s GA (9)Gadd9
Pre-Chorus 1
60.1s Abmaj7/G-Abmaj7/G
62.4s G/C-G/C
66.6s Bb/G-Bb/G
68.3s Bbmaj7B (b9)Bbmaj7vocal b9 colors a bare-fifth bed
70.6s Eb/C-Eb/C
78.4s Bb/EbEb (4)Bb/Eb
79.2s DDb (M7)Gbm/Dvocal M7 colors a bare-fifth bed
80.8s Gm/D-Gm/D
83.0s FC (5)F
85.1s Bbmaj7/FD (M3)Bbmaj7/Fvocal M3 colors a bare-fifth bed
86.8s Am7/G-Am7/G
87.7s Bb/Eb-Bb/Eb
Chorus 1
93.9s Bb/EbD (M3)Bb/Ebvocal M3 colors a bare-fifth bed
95.2s Bbmaj7/GEb (4)Bbmaj7/G
99.6s FC (5)F
101.6s Am7/FD (4)Am7/F
103.4s Am7/GBb (b9)Am7/Gvocal b9 colors a bare-fifth bed
103.9s Am7/Eb-Am7/Eb
108.7s Eb-Eb
109.8s Bb/EbF (5)Bb/Eb
112.0s DF (b3)Dvocal b3 = minor color over rhythm
114.4s Am/DEb (b5)Am/Dvocal b5 colors a bare-fifth bed
115.1s Am/DD (4)Am/D
119.2s Am7/FG (b7)Am7/F
119.9s Am-Am
Verse 2
120.5s Am7-Am7
124.3s G/CF (b7)Bbadd9/C
125.8s Bm7/GG (b6)Bm7/G
128.5s C-C
132.7s Bbadd9/CEb (4)Bbadd9/C
134.7s Bbmaj7/AG (6)Bbmaj7/A
136.8s A7-A7
141.0s G/CF (b7)Bbadd9/C
143.0s AbG (M7)Abmaj7vocal M7 colors a bare-fifth bed
144.8s Abmaj7-Abmaj7
149.2s Bbadd9/CEb (4)Bbadd9/C
151.1s Bbmaj7/GF (5)Bbmaj7/G
153.2s A7Gb (6)A7
161.9s Gm/D-Gm/D
164.1s Am/DBb (b9)Bbmaj7/Dvocal b9 colors a bare-fifth bed
165.0s A/DA (root)A/Dvocal doubles the root
166.0s A7/F-A7/F
169.4s Em/FBb (b5)Em/Fvocal b5 colors a bare-fifth bed
Pre-Chorus 2
170.8s Am/EbEb (b5)Am/Ebvocal b5 colors a bare-fifth bed
171.8s C/EbA (6)Am7/Eb
174.2s F7/Eb-F7/Eb
175.0s A/EbC (b3)A/Ebvocal b3 = minor color over rhythm
176.9s Gm/EbB (M3)B7/Ebvocal M3 colors a bare-fifth bed
178.0s DBb (b6)D
178.5s A/D-A/D
179.8s Am7/DBb (b9)Am7/Dvocal b9 colors a bare-fifth bed
181.4s Am/DD (4)Am/D
182.0s Bbmaj7/CC (9)Bbmaj7/C
182.5s Bbmaj7/FD (M3)Bbmaj7/Fvocal M3 colors a bare-fifth bed
183.9s FF (root)Fvocal doubles the root
184.6s Em/FB (5)Em/F
185.9s Am7/G-Am7/G
186.7s Am7/Eb-Am7/Eb
187.2s Eb-Eb
193.3s F7/EbD (6)Bbmaj7/Eb
194.1s Bb/EbEb (4)Bb/Eb
194.8s F/CEb (b7)F7/C
198.6s Am7/GBb (b9)Bbmaj7/Gvocal b9 colors a bare-fifth bed
Chorus 2
200.8s Am7/FD (4)Am7/F
202.8s Am7/GC (b3)Am7/Gvocal b3 = minor color over rhythm
203.5s Bb/EbBb (root)Bb/Ebvocal doubles the root
210.9s Bbmaj7/EbF (5)Bbmaj7/Eb
211.4s D/GA (5)D/G
215.2s Am/DG (b7)Am7/D
217.1s Am7/FF (b6)Am7/F
219.7s Eb/G-Eb/G
223.6s GF (b7)Bb/G
225.6s Abmaj7G (M7)Abmaj7vocal M7 colors a bare-fifth bed
231.9s Bbadd9/CEb (4)Bbadd9/C
233.8s Bbmaj7G (6)Bbmaj7
235.9s Gm/AG (root)Gm/Avocal doubles the root
240.2s GC (4)G
242.2s Abmaj7G (M7)Abmaj7vocal M7 colors a bare-fifth bed
244.4s G-G
Bridge
248.4s Am7/CEb (b5)Am7/Cvocal b5 colors a bare-fifth bed
250.4s Bbmaj7F (5)Bbmaj7
252.7s EbGb (b3)Ebvocal b3 = minor color over rhythm
256.7s GEb (b6)G
258.7s Abmaj7G (M7)Abmaj7vocal M7 colors a bare-fifth bed
261.0s G/C-G/C
265.1s Bbadd9/G-Bbadd9/G
267.0s Bbmaj7/G-Bbmaj7/G
268.9s A/BbG (b7)A7/Bb
Outro
345.6s Ebm/BbA (b5)Ebm/Bbvocal b5 colors a bare-fifth bed
346.7s Eb/Bb-Eb/Bb
347.8s F7/Eb-F7/Eb
349.4s Am/EC (b3)Am/Evocal b3 = minor color over rhythm
351.2s Em/Bb-Em/Bb
352.3s Am7-Am7
354.1s F/A-F/A
354.9s F-F
355.8s F7-F7
356.7s Bbm7-Bbm7
360.2s Em/Bb-Em/Bb
361.4s Am-Am
362.2s Amaj7-Amaj7
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