Kid mode 🧒

Leslie needs someone to design a new park, and a really talented designer named Wreston offers to do it for free.
The problem is that he comes from Eagleton, a rival town Leslie has hated her whole life, so she almost ruins everything by being rude to him.
It turns out Wreston is actually a nice person who loves Pawnee, and the mean prank his workers played was not his fault.
Leslie has to say a big, hard apology and admit she judged him unfairly.
Meanwhile Andy learns that just being himself makes him a better guard than pretending to be a made-up spy.
The lesson is that you should not decide someone is bad just because of where they come from.

Parks and Recreation · Season 5 · Episode 8

Pawnee Commonsv3Deep Card

A Complete Scene Breakdown · references, callbacks, tropes

This is the episode where Leslie's own anti-Eagleton bigotry becomes the villain of a story that has no villain.
A talented Eagleton architect named Wreston St. James offers to design Pawnee Commons on lot 48 for free, and Leslie spends most of the half hour trying to sabotage a gift because of a 200-year grudge.
When his employees pull a genuinely insulting prank, it briefly looks like proof she was right, then Wreston reveals he fired them, and Leslie has to grind out one of the show's most excruciating apologies.
Around that, Tom opens the Rent-A-Swag storefront with the crew's help and Andy quietly retires Bert Macklin after deciding plain Andy Dwyer is the better cop.

Source: Parks Wiki
Source: Parks Wiki
Source: Parks Wiki
Source: Parks Wiki
Source: Parks Wiki
Source: Parks Wiki
Source: Parks Wiki
Source: Parks Wiki

Set List

Interiors Pawnee Community Radio studio (Thought For Your Thoughts with Derry Murbles), Parks Department office, Rent-A-Swag storefront (empty then furnished), City Hall corridors and security desk, Ron Swanson's woodworking shop, Wreston St. James's Eagleton office with iced tea, the breakfast diner

Exteriors Wreston's Eagleton flagship park Five Mile Grounds with fountain and manicured shrubbery, the bisecting Pawnee-Eagleton border with palm trees on the Eagleton side, the Pawnee side of the fence

Placement

  • Mid-Season-5 hinge that turns the lot 48 fight into an actual build, moving the Pawnee Commons project from abstract land dispute to a real park with a designer and a plan.
  • Sits inside the tight late-Season-5 run leading to the wedding in S05E14, keeping the park and the Rent-A-Swag threads warm while the relationship arcs advance around them.
  • Deepens the Pawnee versus Eagleton throughline that started in Season 3 and resolves in S06E03 with Eagleton's bankruptcy and forced annexation.

References

People

  • Miles Davisperson
    On the radio segment Jazz Plus Jazz Equals Jazz, a recording of Benny Goodman is played over a separate recording of Miles Davis.
  • Benny Goodmanperson
    Paired with Miles Davis in the absurd overlapping-jazz radio bit that Leslie introduces.
  • Rhett Butlerperson
    Ben tells Leslie she is charmed by Wreston like a Southern belle when Rhett Butler comes around, and Leslie agrees the architect reminds her of him.
  • Bonoperson
    Leslie adds Bono as another figure the charming Eagleton architect Wreston reminds her of.
  • Lee Iacoccaperson
    Wreston says his tip of giving workers small praise to build loyalty came from Lee Iacocca's autobiography.
  • Adolf Hitlerperson
    Central to Andy and April's Bert Macklin spy game, where April plays Judy Hitler, spoiled only daughter of Adolf, and Andy pursues a necklace of Germany's war secrets.
  • Idi Aminperson
    Leslie guesses Idi Amin when Ben asks who Wreston sounds like, part of her insistence on comparing him to villains.
  • Lord Voldemortperson
    Leslie also offers Lord Voldemort as who the Eagleton architect sounds like until Ben says the answer is actually her.
  • Mark Zuckerbergperson
    Tom says I'm not Zuckerberg while explaining the second pizza party only has toppings on half, a jab at the tech mogul's frugality.
  • Richard Nygardperson
    Andy's therapist is Dr. Richard Nygard, who suggested he try non-exercise-based hobbies, leading him to woodworking with Ron.

Social media, apps, and websites named

  • Batmanmeta
    Leslie says she will send out the Bat-Signal, and Derry Murbles solemnly explains the Bat-Man to listeners as a strong gentleman who fights crime nocturnally.
  • Entertainment 720meta
    Tom cites his failed company Entertainment720 as the thing Rent-A-Swag must be the opposite of, the cautionary tale for his new business.

Films, TV, and podcasts named

  • The Shadows of Seven Headsfilm
    Fictional Focus Features film in the radio underwriting spot at the top of the episode, described as the tale of an Israeli soldier who falls in love with conjoined Palestinian sextuplets, mocking prestige art-house drama.
  • History Channeltv
    Andy as Bert Macklin shouts History Channel and rants that Hitler is everywhere, riffing on the network's reputation for endless WWII programming.

Brands, products, and places

  • Focus Featuresproduct
    Named as the distributor putting out the fake film The Shadows of Seven Heads in the Pawnee Community Radio sponsor read.
  • Louis Vuittonproduct
    Tom pitches Rent-A-Swag by imagining a 14-year-old wearing a Louis Vuitton cravat, thanking himself and Louis Vuitton for the cravats.
  • Canada Dryproduct
    During Leslie's forced apology her mouth goes dry and she blurts a spontaneous ad, this is Canada Dry, drink Canada Dry if your mouth is dry.
  • Roombaproduct
    Tom commands Yo, Roomba, drop a beat, treating the robot vacuum as a hype machine during his Rent-A-Swag reveal.
  • Royal Danish Academy of Fine Arts, Copenhagenplace
    Cited on a park-design applicant's resume as where he earned a degree in architecture with 30 years of experience, briefly exciting Leslie and Ben.
  • Eagletonplace
    Pawnee's wealthy rival town, home of architect Wreston St. James, subject of Leslie's running tirade about snobby evil neighbors and a 200-year blood feud.
  • Pawnee, Indianaplace
    The show's setting, whose 1817 founding by scrappy frontiersmen versus the rich fleeing to form Eagleton frames the town rivalry.

Callbacks

  • Lot 48 becomes Pawnee Commons. The land Leslie fought to protect from Paunch Burger in the previous episode, S05E07, finally gets a purpose here, so Wreston St. James is designing a park on the exact parcel April proposed as a dog park.
  • Rent-A-Swag graduates from garage-sale idea to storefront. Tom's business, first pitched at the fundraiser in S05E05 and funded by Ron in S05E06, opens its physical location in this episode, and the crew chips in cash for a small stake in return.
  • The Li'l Sebastian fountain re-enters the park. Wreston's Pawnee Commons design centers on a Li'l Sebastian fountain, pulling the mini-horse from his S03E16 memorial and 5,000 Candles in the Wind back into a permanent public tribute.
  • Bert Macklin rides again as security guard. Andy's FBI alter ego, seeded across earlier seasons and reactivated as a real-theft investigator in S05E07, gets a full runner here until Andy decides Andy Dwyer is the better cop and retires the character.
  • The 200-year Pawnee versus Eagleton blood feud resurfaces. The rivalry that produced the bisecting fence and garbage fight in S03E12 and the birth-certificate scandal in S04E03 drives Leslie's whole arc here, complete with the reveal that Leslie herself was born in Eagleton.
  • Jean-Ralphio's absence marks Tom's reinvention. After firing Jean-Ralphio in S05E06, Tom leans on Ann and the office crew instead, which shows the responsible-tycoon persona he keeps announcing as Thomas M. Haverford.

Tropes used

  • Pawnee versus Eagleton as the episode engine. Leslie's reflexive hatred of Eagleton is the whole obstacle, and she nearly torches a free park because a good architect happens to live on the wrong side of the fence.
  • Leslie Knope's binder and over-preparation. She runs a radio Bat-Signal for park designs and works from a Pawnee Commons development binder, and the winning design lands only because it matches everything she already believes the park should be.
  • Li'l Sebastian worship. The mini-horse gets treated as sacred civic memory again, and Wreston's design wins Leslie over in part by putting a Li'l Sebastian fountain at its center.
  • Tom Haverford's doomed-venture brand-speak. Tom narrates Rent-A-Swag with tycoon slogans, declares Tommy Timberlake dead and Thomas M. Haverford alive, and stages pizza parties as if he were running a real corporation.
  • Andy Dwyer's golden-retriever sincerity. The Bert Macklin bit runs on Andy's total earnestness, and the beat where he scares a lost child, then gently reunites him with his mom, is pure Andy heart under the cartoon persona.

Tropes subverted

  • The snobbish rival town is the villain. Wreston St. James is a genuine Eagletonian who loves Pawnee and works for free, so the show refuses the expected Eagleton bad guy and makes the outsider the most decent person in the room.
  • Leslie's instincts are always right. Here her prejudice, not Eagleton's arrogance, is what nearly collapses the project, and she is forced into a long, painful, funny apology to fix a mess she made herself.
  • The insulting prank proves the rival's true colors. The employees' gross-out prank looks like proof that Eagleton is evil, then Wreston reveals he fired the two people responsible, flipping the evidence back against Leslie's assumption.
  • Bert Macklin as competent hero. Andy learns his fictional FBI agent actually makes a worse cop than plain Andy Dwyer, so he retires the alter ego instead of leveling him up.

Threads planted, where they pay off

  • Sets up S05E10, where Leslie and April accidentally plant fake Wamapoke artifacts at lot 48 and Ken Hotate uses the threat to lock in the Pawnee Commons deal.
  • Feeds S05E12, where the finished Pawnee Commons design needs a public forum and a $50K gala to move forward.
  • Carries the Li'l Sebastian fountain forward to the S05E14 wedding, where the memorial imagery closes out Leslie and Ben's story.
  • Advances Tom's Rent-A-Swag arc toward the S05E22 buyout offer, since the storefront opening here is the venture he is finally trying to run responsibly.

Production file

  • Written by Alexandra Rushfield, directed by Morgan Sackett, aired November 29, 2012 to 2.99 million viewers.
  • The episode is the eighth of season five of Parks and Recreation on NBC, centered on Leslie sourcing park designs from the public and turning against the best one when it comes from an Eagleton architect.
  • Dan Castellaneta, the voice of Homer Simpson on The Simpsons, guest stars as Pawnee Community Radio host Derry Murbles.
  • Brad Hall guest stars as the smooth Eagleton architect Wreston St. James, the design candidate Leslie cannot bring herself to trust.
  • Jessica Barth appears in a guest role as Katherine.
  • The episode originally aired to 2.99 million U.S. viewers.
  • The B-plots run alongside the main story, Tom launching Rent-A-Swag with help from the office, and Andy playing his Bert Macklin FBI persona on a dull City Hall security-guard shift.
  • The park Wreston ultimately designs, the Pawnee Commons, features a Wamapoke-themed playground, food trucks, and a Li'l Sebastian fountain.
Scene by scene
Scene 1

The Bat-Signal on Community Radio

Pawnee Community Radio studio, Thought For Your Thoughts with Derry Murbles

Scene Summary

  • Leslie appears on Derry Murbles' public radio show to crowdsource a park design from Pawnee citizens.
  • The show frames itself as absurd public radio, complete with a fake sponsor and a Jazz Plus Jazz Equals Jazz segment.
  • Leslie issues an on-air plea for plans and resumes, betraying real anxiety about the project stalling.
  • The cold open sets the A-plot in motion by inviting the citizen submissions that will fail.

Recap Girl play-by-play

  • A mock underwriting spot for The Shadows of Seven Heads and a spoken-word opera about pear-shaped women establishes the tone.
  • Derry Murbles condescendingly explains that a Bat-Signal refers to the children's character the Bat-Man.
  • Leslie pitches the park as a celebration of Pawnee by Pawnee and for Pawnee and begs listeners to hurry.
  • Derry hands Leslie the next segment, and she introduces Benny Goodman played over Miles Davis as Jazz Plus Jazz Equals Jazz.
  • The scene cuts to Leslie and Ben sorting through submissions, including a park model from a federal penitentiary inmate who insists he is innocent.
  • Ben finds an impressive candidate with a Royal Danish Academy pedigree, and Leslie is smitten until she reads the name.

Color Host notes

  • The public radio parody is a recurring Pawnee-media runner that lets the show mock NPR earnestness while advancing plot.
  • Leslie's hurry, hurry desperation seeds her later willingness to consider an Eagleton architect she would normally reject.
  • The Bat-Man explanation is a joke about over-explaining public radio hosts and a quick character read on Derry.
  • The inmate submission and the penitentiary letter are throwaway gags that quietly signal how thin the citizen pool really is.
Scene 2

His Name Is Wreston St. James

Parks Department office

Scene Summary

  • Leslie falls in love with a submitted park model, calling it Parks Department porn.
  • The reveal that the architect is from Eagleton flips her instantly against him.
  • Leslie's 200-year blood feud with Eagleton is established as the engine of the A-plot.
  • Ben pushes pragmatism and gets Leslie to agree to at least meet the man.

Recap Girl play-by-play

  • Leslie gushes over the beautiful fountain and manicured shrubbery and swears she will not change her mind about hiring him.
  • She reads the name Wreston St. James and learns he is from Eagleton, then immediately changes her mind.
  • Leslie launches into a rant about Eagleton snobs so intense she admits she sometimes forgets to breathe and passes out.
  • She cites the 200-year blood feud as reason enough to reject him outright.
  • Ben counters that time is short and Wreston is the first decent candidate.
  • Leslie agrees to meet him, but only so they can reject him face-to-face, and Ben plays along.

Color Host notes

  • Leslie's Eagleton hatred is a long-running series motif here elevated into a full episode premise.
  • The comedy runs on Leslie's principled irrationality colliding with Ben's calm logic, their standard dynamic.
  • I am not gonna change my mind followed immediately by Oh, I've changed my mind is a clean two-beat reversal joke.
  • Ben's reject him face-to-face concession is characterization, he manages Leslie by giving her a face-saving pretext.
Scene 3

Tommy Be Shopping: Rent-A-Swag Opens

Tom's new run-down retail storefront (the future Rent-A-Swag)

Scene Summary

  • Tom unveils Rent-A-Swag, a business renting his fancy clothes to teens.
  • The B-plot frames this as Tom's redemption arc after Entertainment720.
  • The location is a dump that turns out to have been designed by Wreston St. James.
  • Jerry (as ever) is the running punching bag and provides sight-gag misfortune.

Recap Girl play-by-play

  • Tom presents the shabby space to his gathered friends and coworkers as the future home of Rent-A-Swag.
  • He explains the concept of renting Louis Vuitton cravats to fourteen-year-olds so parents avoid buying disposable nice things.
  • Tom declares Tommy Timberlake dead and rebrands himself Thomas M. Haverford, responsible tycoon.
  • Jerry gets stuck and repeatedly calls for help, unable to move, as a running physical gag.
  • Ann praises Tom's restraint and says watching him gives her faith that anyone can reinvent themselves.
  • A later beat reveals Wreston St. James designed this dump, planting the connective tissue between the two plots.

Color Host notes

  • Rent-A-Swag is Tom's post-Entertainment720 course correction, the season's Tom arc in miniature.
  • Tommy Timberlake is dead, long live Thomas M. Haverford is the thesis line for Tom's reinvention theme.
  • Much like women in nineties stand-up, Tommy be shopping is a dense reference gag typical of Tom's voice.
  • Jerry's stuck-and-calling-for-help bit is the show's reliable Jerry-abuse runner used as background texture.
Scene 4

The Tour of Wide Smiles Abound

Wreston St. James' Eagleton park, Five Mile Grounds

Scene Summary

  • Ben and Leslie meet Wreston at his immaculate Eagleton showcase park.
  • Ben is instantly charmed while Leslie stays suspicious and combative.
  • Wreston's public-service philosophy wins Ben over completely.
  • Leslie's distrust is played as prejudice the episode will interrogate.

Recap Girl play-by-play

  • Ben tosses trash on the ground complaining about no cans, and a groundskeeper thanks him for the trash.
  • Wreston explains the park's official name Five Mile Grounds and its nickname Wide Smiles Abound.
  • Wreston delivers a it's about the people speech about serving citizens regardless of park size.
  • Ben gets literal chills and shows Leslie his arm, fully charmed.
  • Leslie compares Ben to a swooning Southern belle and accuses Wreston of being suspiciously helpful.
  • Leslie recounts Eagleton claiming an entire town wasn't home when Pawnee asked for tornado help in 1988.

Color Host notes

  • The gleaming Eagleton park visually externalizes the class resentment driving Leslie's feud.
  • Ben's Rhett Butler and Bono infatuation inverts the usual dynamic, here Ben is the credulous one and Leslie the skeptic.
  • Wreston's serve-the-people rhetoric is deliberately Leslie-coded, which is why it disarms Ben and threatens Leslie.
  • An entire town claimed they weren't home is the episode's sharpest Eagleton absurdist history gag.
Scene 5

Bert Macklin vs. Judy Hitler

Pawnee City Hall, weekend security shift

Scene Summary

  • Andy works a mind-numbing weekend security guard job and invents a spy fantasy to survive it.
  • April joins him and they role-play Bert Macklin interrogating a captured enemy.
  • The C-plot is a pure comic runner built on Andy and April's improv games.
  • The bit escalates from boredom to an elaborate torture-and-romance scenario.

Recap Girl play-by-play

  • Andy calls April to keep him company, confessing the security job is unbearably boring.
  • He describes spiraling into existential dread about whether any of it matters after only fifteen seconds pass.
  • Andy reframes the boredom as the start of a Bert Macklin, FBI case, it's quiet, a little too quiet.
  • April plays Judy Hitler, spoiled only daughter of Adolf, demanding to be untied.
  • Bert Macklin interrogates her about a necklace containing all of Germany's war secrets.
  • The scene tips into don't you dare fall in love with me and April as Hitler declaring Macklin a sexy bastard.

Color Host notes

  • The Bert Macklin runner is Andy and April's signature bit, deployed here as the episode's pure-id comic relief.
  • Andy's existential spiral is the show sneaking a genuine bored-worker truth under the goofball surface.
  • Judy Hitler is deliberately tasteless escalation that lands because it is so committed and absurd.
  • The C-plot's real subject is Andy and April's marriage as a two-person improv troupe that never breaks.
Scene 6

Ben's Stairs to Nowhere and the Apology Standoff

Ron's woodworking shop and the Parks Department

Scene Summary

  • Ben's therapist-recommended woodworking hobby yields a comically useless project.
  • The A-plot escalates as Ben demands Leslie apologize to Wreston to save the park.
  • Leslie's stubbornness pushes the conflict to a breaking point.
  • The threat of losing four years of work becomes the lever that finally moves her.

Recap Girl play-by-play

  • Ben peppers Ron with eager questions about wood and metal latches, and Ron refuses to answer so Ben learns.
  • Ben proudly shows a small object and admits it was bigger when he started.
  • Ben hands Ron a plan and Ron sets him to building a flight of stairs that leads to nowhere.
  • Ben tells Leslie that Wreston's serve-the-public talk makes him sound exactly like her, not Idi Amin or Voldemort.
  • Ben insists Leslie has been rude and must apologize to the man from Eagleton.
  • Leslie refuses flatly until Ben warns she can kiss the park and four years of work good-bye.

Color Host notes

  • Ron's teaching philosophy, withhold the answer so the pupil learns, is a compact Ron Swanson character statement.
  • Ben's stairs to nowhere is a visual metaphor for busywork and the therapy-hobby subplot's gentle joke.
  • You, not Idi Amin, is the turn where Ben names Leslie's hypocrisy directly, she hates a man for sharing her values.
  • The four years of work stakes ground the farce in something Leslie genuinely cannot afford to lose.
Scene 7

The Apology That Won't Come Out

Wreston St. James' park, Eagleton

Scene Summary

  • Leslie attempts to apologize to Wreston and physically cannot say the word sorry.
  • The scene is a set-piece of escalating avoidance and non-sequitur stalling.
  • Wreston responds with grace and offers to design the park pro bono.
  • Leslie's runaway momentum overshoots into inviting him to her and Ben's wedding.

Recap Girl play-by-play

  • Ben frames Leslie's apology as coming in the spirit of reconciliation.
  • Leslie hedges about her totally legitimate prejudices and then stalls out repeatedly.
  • She derails into a fake Canada Dry commercial about her dry mouth to avoid finishing the word.
  • After Ben and Wreston coax her, Leslie finally blurts a torrent of I'm sorry and Wreston calls it too soon.
  • Wreston waives his fee and offers to design the park pro bono as a gesture of good will.
  • Leslie, overcorrecting, invites Wreston to their unplanned May wedding and tells him to save the date.

Color Host notes

  • Amy Poehler's physical-comedy apology aria is the episode's centerpiece, comedy built entirely on delayed release.
  • The Canada Dry ad-break derail is a meta joke about Leslie's brain reaching for anything but contrition.
  • Wreston's it's too soon after the apology finally lands is a deadpan button that punctures the emotional beat.
  • The wedding invitation reveals Leslie swings from hostility to over-affection with no middle gear.
Scene 8

The Prank, the Revenge, and the Reveal

Eagleton (Wreston's home) and the Parks Department

Scene Summary

  • Wreston's firm delivers an insulting Pawnee park pitch, seemingly confirming Leslie's fears.
  • Leslie plots literal arson, then settles on a tie-cutting revenge.
  • The truth emerges that rogue employees, since fired, were behind the prank.
  • The A-plot resolves with Wreston delivering a genuine, beautiful Pawnee Commons design.

Recap Girl play-by-play

  • Wreston's associates present a mocking design with drool buckets and food troughs for slack-jawed citizens.
  • Leslie throws them out and fantasizes about burning Wreston's house down until Ben talks her back.
  • Ben visits Wreston, who reveals he fired the two employees responsible and was late because of it.
  • Leslie storms Wreston's home mid-conversation and triumphantly cuts up his tie shouting Pawnee forever.
  • Ben stops her to explain Wreston didn't do it and fired the people who did.
  • Wreston later presents the true Pawnee Commons with a Wamapoke playground and a Li'l Sebastian fountain, and reveals he's in love with Leslie, meaning Ben.

Color Host notes

  • The fake insulting pitch is a bait-and-switch that tests whether Leslie will trust or torch, and she nearly torches.
  • Set it on fire and watch it burn, then You're right, we can't is the episode's cleanest Leslie-Ben restraint gag.
  • The Li'l Sebastian fountain is deep-cut fan service that signals Wreston truly gets Pawnee.
  • He's in love with a woman from here, Me states the theme, Wreston mirrors Leslie's civic passion, which is why she feared him.
Scene 9

Pizza Party Part Two

Rent-A-Swag store, Pawnee City Hall, and a diner

Scene Summary

  • Tom accepts help from friends and learns to blend old Tom swagger with new discipline.
  • Andy retires the Bert Macklin persona after real kindness beats the fantasy.
  • The tag resolves both runners with Tom's stingy-to-generous pizza escalation.
  • The B and C plots land their arcs in a quick closing montage of small payoffs.

Recap Girl play-by-play

  • Ben coaches Tom that Rent-A-Swag needs a little of the old Tom, you can't have Rent-A-Swag without the swag.
  • The team chips in cash so Tom can spruce up the store in exchange for a mini public offering share.
  • Andy, as Bert Macklin, scares a lost boy named Joey, then drops the act to help him find his mom as Andy Dwyer.
  • April notes Andy Dwyer makes a better real cop than Bert Macklin, and Andy retires the character.
  • In a callback, Tom throws a sad one-small-pizza party, then upgrades to a two-pizza party with toppings on half.
  • Andy gets a farewell FBI ceremony gift box and April promises he can find her in bed next to you.

Color Host notes

  • You can't have Rent-A-Swag without the swag resolves Tom's arc as integration rather than total reinvention.
  • Andy retiring Bert Macklin because plain Andy did more good is a sincere character beat under the joke.
  • The pizza-party callback, one topping-less pizza upgraded to toppings on half, mirrors Tom loosening his grip.
  • Eat up, chumps and I'm not Zuckerberg keep Tom's edge intact even as he grows, the show refusing a clean-sappy ending.

Verbatim lines

A Bat-Signal, for listeners who might not know, refers to the children's character the Bat-Man, a strong gentleman who fights crime nocturnally.
I'm not being melodramatic when I say that people from Eagleton are snobby and evil, and they look down on Pawnee, and they would most likely exterminate everyone who isn't from Eagleton if they weren't so busy being obsessed with themselves.
Tommy Timberlake is dead. Long live Thomas M. Haverford, responsible tycoon.
My mouth is dry. This is Canada Dry. Drink Canada Dry if your mouth is dry.
Seriously, I think Andy Dwyer makes a better real cop than Bert Macklin. Maybe it's time for Bert Macklin to hang up his shades.
You can't have Rent-A-Swag without the swag.
Named in this episode
The Shadows of Seven HeadsBatmanHistory ChannelJazz Plus Jazz Equals Jazz (Miles Davis over Benny Goodman)Gone with the Wind (Rhett Butler)Harry Potter (Lord Voldemort)
Sources: Parks Wiki · transcript saved locally (tv-scripts corpus) · trope/callback data from the Parks trope index