Voice audit / drwu-htmls

Anti-AI Speak Audit

Every page linked from /shiner-analysis-index, read for the AI-slop tell corpus: personified instruments, banned filler words, metaphor verbs, antithesis tails, machine-voice labels, and punctuation the house ruleset bans.
Method: ran the /deslop gate (single source: _shared/anti_ai_voice_gate.py) on all 14 pages, then re-ran with CSS, JS, and HTML comments blanked so ::before pseudo-elements and code comments drop out. Counts below are prose-only, after false positives were pulled.
14
pages scanned
14
fail the gate
50
real prose tells
8
false positives pulled

All fourteen fail. The four believeyoume reference pages carry the heaviest load; the ten song analyses share one dominant shape.

01The patterns that repeat

Six shapes account for almost every real hit. The first one is the signature of this whole set.

Instrument-refusal grammar

8 of 10 song pages

Guitars "withhold," a vamp "refuses to resolve," the song "will not say" major or minor, "the guitar refuses." Instruments are cast as actors declining to act. The fix states the literal absence: no third in the voicing.

The word "before"

7 pages

A standing house ban, since it waves at vague sequencing. Replace with "ahead of," "then," "earlier than," or the actual bar.

Metaphor verbs: names, lands, rides

believeyoume + 3 song pages

"The table names the bass," "the outro lands," "the mood rides on one voice." Swap for a plain verb: lists, arrives, depends on.

Antithesis tails

keys-modes, ixi-overview

The clever reversal: "the third is unstable, not noise," "a shift, not a uniform mode." Keep the real claim, cut the tail.

Machine-voice labels

all 10 song pages

Every analysis prints "Detected roots" and "Detected chords" as section labels. This is raw model output in prose. State the chords plainly, or label them "Chords."

Em-dash in the page title

ixi-overview, stems

Both <title> tags carry a banned em-dash. Use a colon or a comma.

02Scoreboard

Real prose tells per page after false positives were removed. Every page fails, so the count is the ranking.

PageVerdictReal tellsDominant shape
believeyoume-ixi-overviewFAIL12lands / names / withholds / antithesis
believeyoume-keys-modesFAIL12names (x5) + antithesis tails (x3)
believeyoume-book-v7FAIL4before (x4)
shiner-so-far-so-analysisFAIL4instrument-refusal (x4)
shiner-my-mirror-hates-me-analysisFAIL4before (x2) + refuses + landing
shiner-jackie-analysisFAIL3before + refuses (x2)
shiner-the-mutiny-analysisFAIL3before (x2) + "the ear cannot"
shiner-not-too-much-analysisFAIL2instrument-refusal (x2)
shiner-asleep-in-the-trunk-analysisFAIL1before
shiner-broken-satellites-analysisFAIL1before
shiner-endless-summer-analysisFAIL1rides on
shiner-lazarus-analysisFAIL1the guitar refuses
shiner-the-alligator-analysisFAIL1lands
believeyoume-stemsFAIL1em-dash in title

Every page also carries advisory sev-2 flags, mostly the "detected roots" labels and "reads as" phrasing. Those are listed on each card as batch fixes.

03Page by page

Each quoted specimen is the live text on the page, with the offending phrase marked. The fix keeps the musical claim and drops the tell.

believeyoume-ixi-overview

1,840 words · 12 real tells · heaviest metaphor-verb load in the set
em-dashL3 · title BELIEVEYOUME ixi — what we did (overview)
BELIEVEYOUME ixi: what we did (overview)
verb: namesL102 the layer that names what recolors
the layer that shows what recolors
verb: restingL128 the vocal resting on a tone the band leaves out
the vocal holds a tone the band leaves out
antithesisL138 rebuilt the eight sheets and caught six false roster claims, not a smarter read.
Drop the tail. State what the rebuild did and stop.
verb: landsL148, L171 the cadence lands ... the outro lands the M3 ... it lands on G/D
the cadence arrives ... the outro reaches the M3 ... it resolves on G/D
refusalL151, L156 the major third the band withholds ... an A♭↔Cm vamp that never settles
the major third the band never plays ... an A♭↔Cm vamp with no resolution

believeyoume-keys-modes

2,585 words · 12 real tells · "names" five times, three antithesis tails
antithesisL94, L106, L150 a shift, not a uniform mode. ... unstable, not noise. ... sectional, not a single mode.
Cut all three tails. "The song moves from G Mixolydian to G Aeolian across five windows." The instability is structural, so say that.
verb: namesL110, L133, L189, L240 the table names the bass and chord events ... names the E♭ tonic prolongation
the table lists the bass and chord events ... gives the E♭ tonic prolongation
verb: lean onL133 the chart events lean on the spine
the chart events rely on the spine

believeyoume-book-v7

17,682 words · 4 real tells · long page, low density, all the "before" word
beforeL100 the DOCX, EPUB and PDF were engraved from v6 before the withheld-third corrections
...engraved from v6 ahead of the withheld-third corrections
beforeL792 the song floating its own floor before it commits
the song floats its own floor, then commits
beforeL811 the guitar brushes E-flat and C and A-flat before settling back on the B-flat
...brushes E-flat and C and A-flat, then settles back on the B-flat
beforeL117 the withheld-third thesis is a claim about the rhythm voicings before ...
Rework to name the point in the arrangement, not "before."

believeyoume-stems

1,632 words · 1 real tell · the rest were false positives inside the player JS
em-dashL3 · title BELIEVEYOUME by Shiner — stem player
BELIEVEYOUME by Shiner: stem player

The six other em-dash and ellipsis hits from the first pass were all inside the <script> block that drives the player. They do not render as prose.

shiner-so-far-so-analysis

2,191 words · 4 real tells · pure instrument-refusal
refusalL143, L145 the song will not say major or minor over the pedal ... the singer supplies the very tone the guitars withhold
with no guitar third, major and minor are undecided over the pedal ... the singer supplies the third the guitars leave out
refusalL158, L161 A close that refuses to settle ... the flat-seven refuses any clean landing
A close that does not settle ... the flat-seven denies any clean resolution

shiner-my-mirror-hates-me-analysis

2,200 words · 4 real tells
refusalL143 what moves in the verse is the third, and it refuses to commit
the verse third stays unresolved, G-sharp against G-natural
verb: landingL184 the outro landing, no tonic
the outro ends with no tonic
beforeL137, L168 two "before" uses in the verse and outro walk-ups
Replace with "then" or name the bar.

shiner-jackie-analysis

2,235 words · 3 real tells
refusalL167 the album ends on a vamp that refuses to resolve
the album ends on a vamp that does not resolve, an A-flat rocking against a C minor
before + refusalL153 its one clear pull toward home before it declines to arrive
its one clear pull toward home, then it stops short of home

shiner-the-mutiny-analysis

2,185 words · 3 real tells · plus an entity bug (see section 05)
"the ear cannot"L100 a bare fifth with no third at all, so the ear cannot tell major from minor
a bare fifth with no third, so major and minor are indistinguishable
beforeL153, L199 the dark field briefly finds a bright floor before the song pulls home
...finds a bright floor, then the song pulls home

shiner-not-too-much-analysis

2,208 words · 2 real tells
refusalL111, L167 the guitar plays chords with the home note left off, so you cannot quite tell where home is ... the outro refuses to go home
...home note left off, so home is unclear ... the outro never returns home, the bass walking chromatically down

shiner-lazarus-analysis

2,155 words · 1 real tell
refusalL151 the voice does the coloring the guitar refuses
the voice supplies the third the guitar leaves out, a slow F-E-D-C descent, minor against a chord with no third

shiner-endless-summer-analysis

2,188 words · 1 real tell
verb: rides onL114 the whole mood rides on one voice and one half step
the whole mood depends on one voice and one half step

shiner-the-alligator-analysis

2,137 words · 1 real tell · cleanest page in the set
verb: landsL127 closing on G/B when the third finally lands in the bass
closing on G/B when the third finally arrives in the bass

shiner-asleep-in-the-trunk-analysis

2,178 words · 1 real tell
beforeL136 the bass carries the terrain for four bars before any guitar or voice arrives
the bass carries the terrain for four bars, then guitar and voice arrive

shiner-broken-satellites-analysis

2,196 words · 1 real tell
beforeL167 the root, fifth, ninth and major seventh, before it drops to the bass
...ninth and major seventh, then it drops to the bass

04Every song page shares one sev-2: the machine label

"Detected roots" / "Detected chords" appears on all 10 song analyses

The harmonic table on each page prints a raw label like Detected roots: D♭5, F5, C5. It looks like model output pasted into prose. One batch edit fixes all ten: rename the label to Chords or Roots, or drop the label and state the chords in a sentence. Same pattern, same fix, ten pages.

05Two findings outside the voice gate

Broken flat entity renders literally

False positives I pulled, so the count stays honest