everyone welcome back to my series on
90s music Nostalgia this is part five
Inside Out by Eve six I mean
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it's been round to a beautiful oblivion
rendezvous
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our time has gotten stale
I
did it anyone else feel like this guitar
tone is just very delicious
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also who likes how he says ginger ale
laughs
that's so dramatic
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but my stomach turns
oh that's fun more flat six
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I think it stays on that cord
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the chords are different
first time it's
goes
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hey this has got that gated guitar thing
too
I guess that must must have been a 90s
thing I love that
oh I love this part it's one note
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another example of how incredibly
important rhythm is for catchy Melodies
number one Crush
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it's so nasty
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to know that you're mine
foreign
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apt about this song and there's a lot of
reasons why I think but one of them is
the notes that that Shirley is kind of
leaning on have a lot of half steps in
them half steps are like this so if
we're in the key of D
like those or uh
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you hear that
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I see your face
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that was so fucking graceful pardon my
French oh my gosh Okay so
and that's so beautiful because it's the
Plastics cord but also because she's
singing notes that create this interval
called a tritone which is very unstable
but in these cases I think it can sound
really vulnerable
okay what are the lyrics
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but then over this chord
there's a tritone in there too
and that's because these two chords have
a lot of notes in common
sorry
and that chord sounds almost hopeful
what is she sing there you will believe
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Lord
ignored hear that motion but these
chords listen to them fast
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there's there's something very dramatic
about how all those chords are related
this whole song is amazing I'm just
going to skip to the end though because
the end is so amazing the way she goes
down down down in her voice
so she's talking about well her number
one Crush has to say is saying things
like I will wait for you I'd make room
for you I'd steal ships for you to be
close to you to be part of you because I
believe in you I believe in you and it
feels like it's building to like some
final statement right because it's just
continuing I do this for you I do this
to be that to be that right they're all
connected and meanwhile she's slowly
lowering her voice
to be closer
now it's close to you
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so not only is that the lowest note she
sung in the entire song and that's a
pretty low note for a woman D I would
die for you
uh but she's not sung that note even
like
higher in this part of the song right
where she's going you know
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and that note is not as finished
sounding as this one because we're in
the key of D so she's going
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now it still feels kind of like we could
stay there
but you start to get the feeling like
she is going to finally seal the deal
and go all the way down but she's
prolonging it just chalk that up to like
the one of the most tasteful choices
they could have made I think it's so
brilliant because this person is
stalking her right and this it's
completely out of touch with reality and
clearly dangerous
right and just to to hear her go down
there Feels Like Anything Could Have I
don't know I just love that part so much
I always look forward to it I'm sure I'm
not alone in loving that I mean it's
sexy now that was in Romeo and Juliet
and this song was also in Romeo and
Juliet this is talk show host by
Radiohead now there are two versions of
this
um I am familiar with the one from the
movie soundtrack so that's the one I'm
gonna play
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if you want to play this by the way it's
it's not too difficult do you have a B
flat and a c and then you have G on top
always
E flat on the bottom then B then C's it
just goes down
like it's got an attitude that's very
cool like this song smokes
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[Applause]
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okay so so many things about this song
are so good the percussion is really
creative here just the groove it kind of
has that almost like like a 50s kind of
two
I don't know
also spy movie I don't know there's
something spy movie about this so
syncopated
and all the sound design around them
right the kind of whistling makes you
feel like you're kind of losing your
mind a little bit like things just
aren't quite balanced inside you want me
and his Melody is amazing
see he leaves keeps leaving you on this
very unfinished note it's like a
question and he literally sang you want
me so it's perfect
you want me that note makes it oh my God
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flat six
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I'm whistling
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he's got all these like uh I think it's
well it could be vocal fry you could put
it that way maybe or like a little bit
of a vocal cry
uh
I guess crying is different than frying
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there's something with a delay
playing this interval the whole time
I love that
um
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that's great
I love that those two major chords that
sound very dramatic
honey on his voice I don't think it's a
voice it could be
it probably is a voice but they've
modulated it so much that it sounds
otherworldly and like it doesn't even
have an instrument but it's above him
going
but doesn't sound quite so clear
super heavy flanger maybe they're
strings maybe it was strings harmonizing
with him but that Flander is so cool
I think it's a flanger some kind of
filter
I love that part all these little
details
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me but he really draws that out so it's
a delayed gratification feeling
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and the last song is letting the cable
sleep by Bush bringing it back full
circle
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thank you
in the dark you were the pain
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I really love rock drums but I also
really like electronic drums when
they're used Tastefully and I feel like
this was the right decision I think it
would have sound fine satisfying with
live drums too like with a cross stick
or something kind of gentle but it just
adds a really nice element a little bit
of a Detachment that I think is
appropriate for the song so this is got
a flat six chord right away and it also
has that mode mixture I was talking
about so
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do do
this Court's not expected after this
you would expect
so some of these chords are what are
called sus cores or ad9 chords all you
need to know is that there's a note in
there that normally wouldn't be there
creating all this tension and Beauty so
this one I don't know this one's
probably just major but it could be an
add nine and then this one
sometimes I think it has that one this
one definitely sometimes has it
so it's this notes
but add that with the major chords but
then you add that with the major chords
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you hear that oh
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what's up
whatever you say it's all right whatever
you do it's all good building the
tension
every say it's all right
finally relief
so pretty wow it's interesting because I
was just I just made a video about an
arcade fire song and they have a similar
vamp
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me into Oblivion
however all the way
and then he does heaven is on the way
and it does it again that chord has
always stood out to me I think it's
probably it's like a major chord and it
doesn't belong in the key
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hell
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Frozen
that's such an incomplete sound again
just leading you
and leaving you in this unanswered
question so lovely
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oh yeah
okay
whoever arranged these strings is has my
heart this is so beautiful so they got
foreign
purposely
end on this minor chord instead it's
always been that major one but not
that's the minor so see how much darker
that sounds
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thank you
you wanna see on a decline
Breaking the Waves
watching the lights go down
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it's beautiful that that you on the sea
on decline Breaking the Waves
how much space they left in the mix
there the drums and him and the Reverb
it's so intriguing and then watching the
lights go down
the strings watching the lights go down
oh no I'm gonna cry
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it's so good
okay I think that's enough
thank you so much for watching I love
the 90s are the 90s As Good As It Seems
like it is it just my generation or is
it just unequivocally fantastic music I
think it's maybe a little bit of both
I got the poison
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ous
reluctantly crouched at the starting
line
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