The rule is that a ghost takes a staccato dot at velocity 31 and never a parenthesis.
fix_parens.py contains only the deletion half. It strips <AntiAccent>
and has no code path that writes an <Accent>. Montana and Zomby Woof got their
dots from separate one-off builds (build_v2, build_dots).
The other 18 tabs shipped with the parenthesis removed and nothing put in its place,
so 4,216 quiet hits are now written as ordinary hits. That is notation destroyed, and it is
the literal sense in which hits disappeared.
When --no-redynamic is not passed, any beat whose notes are all ghosts is rewritten
to <Dynamic>PP</Dynamic>. Keep It Greasey took 347 of these, Inca Roads 83,
Montana 79. Those hits still exist in the file and play back at velocity 31, which is why they read
as missing by ear while every note count stays intact.
The Guitar Pro round trip changed six tabs beyond the drums. Carolina Hard-Core Ecstasy has
480 guitar fret rewrites on the Frank Zappa staff, where the baseline carried fret 0 and
ours carries real frets. Uncle Meat has 73 velocity changes on Piste 10, 50 of them
losing fff. Zoot Allures and What's New In Baltimore had null frets written to 0.
Alien Orifice, Inca Roads and Watermelon In Easter Hay gained rest beats from rest respelling.
Bars, voices and note counts are unchanged in every case.
Oh No reads 1,669 notes before and 1,669 after, with an identical event stream and no lane changes, measured against revision 7494834, the exact revision that existed before the edit. Its missing crashes were absent from the Songsterr source we downloaded. The same holds for all 20. No repair should be built on the theory that this pass deleted them.
| Song | notes base → ours | ghost stripped |
dots added | beats → pp | result |
|---|---|---|---|---|---|
| Watermelon In Easter Hay off both albums |
4,856 → 4,856 |
1317 | 0 | — | marking deleted, nothing added |
| Keep It Greasey off both albums |
14,442 → 14,442 |
629 | 0 | 347 | marking deleted, nothing added |
| Muffin Man off both albums |
3,904 → 3,904 |
578 | 0 | 33 | marking deleted, nothing added |
| Drowning Witch off both albums |
16,297 → 16,297 |
419 | 0 | — | marking deleted, nothing added |
| Montana Over-Nite Sensation |
7,966 → 7,966 |
317 | 317 | 79 | converted to dots |
| The Black Page off both albums |
1,321 → 1,321 |
173 | 0 | 12 | marking deleted, nothing added |
| Nanook Rubs It off both albums |
4,238 → 4,238 |
168 | 0 | 1 | marking deleted, nothing added |
| Nanook Suite off both albums |
12,896 → 12,896 |
168 | 0 | 1 | marking deleted, nothing added |
| Inca Roads off both albums |
7,636 → 7,636 |
165 | 0 | 83 | marking deleted, nothing added |
| Carolina Hard-Core Ecstasy off both albums |
8,006 → 8,006 |
144 | 0 | — | marking deleted, nothing added |
| Oh No off both albums |
1,669 → 1,669 |
141 | 0 | — | marking deleted, nothing added |
| Alien Orifice off both albums |
4,496 → 4,496 |
86 | 0 | — | marking deleted, nothing added |
| Whats New In Baltimore off both albums |
4,190 → 4,190 |
59 | 0 | — | marking deleted, nothing added |
| Fembot LIVE TO PUBLIC off both albums |
3,713 → 3,713 |
57 | 0 | 28 | marking deleted, nothing added |
| Zoot Allures off both albums |
621 → 621 |
53 | 0 | — | marking deleted, nothing added |
| Zomby Woof Over-Nite Sensation |
7,479 → 7,479 |
32 | 32 | 20 | converted to dots |
| Uncle Meat off both albums |
6,142 → 6,142 |
24 | 0 | 12 | marking deleted, nothing added |
| Catholic Girls off both albums |
6,380 → 6,380 |
16 | 0 | 10 | marking deleted, nothing added |
| Zomby Woof AI LIVE TO PUBLIC Over-Nite Sensation |
411 → 411 |
10 | 0 | 4 | marking deleted, nothing added |
| Trouble Every Day Live Roxy & Elsewhere |
2,539 → 2,539 |
9 | 0 | 3 | marking deleted, nothing added |
On Zomby Woof, 66 beats carry Tom Low (MIDI 45) at staff position 2.5 and Tom Low-Mid (MIDI 47) at staff position 2. Those are a line and the space immediately below it, two adjacent noteheads, which is the cluster no one writes for toms. In all 66 beats the two toms are the only notes present, with no kick and no cymbal underneath.
Zomby Woof s412162, tom lane to staff position FloorHi midi 43 position 3 x13 TomLow midi 45 position 2.5 x99 <-- adjacent pair TomLowMid midi 47 position 2 x209 <-- adjacent pair TomHiMid midi 48 position 1 x49 TomHi midi 50 position 0.5 x2 66 beats: [(47, 2.0), (45, 2.5)] and nothing else in the beat
The earlier session tested whether the two attacks were flam-separated in the drum stem, found almost no 10–35 ms gaps, and concluded the pairs were two-hand hits and correctly notated. That test cannot separate one tom written onto two voices from two toms genuinely struck, and it cannot say which drums they were. The question was never answered.
The ask named Over-Nite Sensation and Roxy & Elsewhere. Selection ran on a catalog-wide parenthesis sweep of 105 Zappa tabs, so the filter became "has parentheses" rather than "is on these two records". Only 4 of 20 edited tabs sit on either album. Of the 16 Over-Nite Sensation tabs on Songsterr, 3 were touched; of the 24 Roxy tabs, 1 was touched. The untouched ones are almost all AI transcriptions, which write no parentheses and therefore never entered the defect list, even though those are the ones most in need of repair.
baselines.json.The rule. No drum event is removed because an algorithm found a simpler pattern. No revision is called corrected because it matches its predecessor. Every deleted event needs affirmative evidence it was wrong, every added event needs audio or published notation support, every changed drum voice needs evidence for the new identity. Published transcription has priority where it covers the exact performance, the recording settles what the transcription does not show, and the original GP holds everything neither source disproves.
api/meta/{songId}/{revisionId} and the CloudFront track JSON, rests
excluded, walking master bars so shared objects count once per occurrence. Baselines are the newest
revision by another editor preceding our first edit. Data: baseline_diff.json,
baselines.json, live_diff_report.json.