This page links to ten music-study sheets, one for each song on the album BELIEVEYOUME by the band Shiner. Each sheet shows how the singing and the guitars and the bass work together. The words on each card match the main idea for that song. Tap any card to open its sheet.
All ten songs, in album order. The thesis on each card matches the ixi v5 voice authority, the confirmed-correct reference. Two songs (Lazarus, Jackie) are instrumental for now; their GP carries no vocal track. Built 2026-06-28.
A third-less F engine (C-E-flat-F) while the voice reaches A-natural on the word "for," the major third the band withholds. Six sections, GP plus stems.
One rhythm voicing (G+A+D, no third) through a one-to-flat-three bass; the bass alone decides the chord, the voice supplies the third, the cadence lands it in the bass.
A root clamp into flat-side movement, resolving on a late shared D.
D-mixolydian verse, the F-sharp-to-D-major turn, a B-flat chorus and an Am/E bridge.
An E pedal with a contested third: the voice sings G-sharp then G-natural, the chorus stacks both at once, and the song walks off to G/D instead of choosing.
A vocal D that recolors as the chords move (third, ninth, root), a major/minor third flip via B-flat and B-flat-minor, and a dominant-framed third-less close.
Instrumental. A C-minor tritone cluster (F-sharp in the bass) that finally opens up to a Cmaj9 drone, the harmony acting out the refrain.
A hidden-root first-inversion intro, a B-flat-to-A-flat whole-step rocker, a chromatic C-sharp chorus under a held B-flat, and an outro on D, a tritone from home.
A song that lives on its own dominant (B-flat surface over an E-flat center), a chromatic sharp-four, a parallel-minor flip, and a flat-seven outro that never resolves.
Instrumental, the album closer. Dense C clusters, a four-note chromatic cluster signature, motion without resolution, and a final chord that resolves nothing.